Thought Train to Pusan

The concluding volume of Joe Hill and Gabriel Rodriguez’s comic series Locke & Key is full of carnage, and I didn’t expect anything different. There is resolution, and yet so many more mysteries left to be explored in this world and with all the magical keys and the history of key house. The only truly bad thing about this book was that it had to end, after everything came to a head and we were left to see where the resulting pieces would end up.   “Alpha & Omega” takes us to the night of prom for the Locke children, as they plan to have an after-party rave in the caverns by their the Lovecraft house. But Bode, still possessed by the spirit of Luke/”Dodge,” has other ideas for how the night shall end, as he appears to hold all the cards in his little game: with almost all of the magical keys in his possession, and no one aware that he is not in fact Bode anymore, Luke is free to play a game that results in his ultimate quest for a world of select loyal followers and sla

The penultimate collected volume of Joe Hill’s Locke & Key series (illustrated by Gabriel Rodriguez) provides some history regarding the Lovecraft residence, the history of the magical keys, and how the patriarch of the Locke family became implicated in the history of the house and what is occurring now, back when he was just a teenager. Unlike the previous volumes of this dark and inventive series, past events are the focus of “Clockworks,” and we get some answers as to what the house and keys are all about, and even where they came from. Yet many things remain up in the air, which I am excited to unravel in the concluding book, “Omega”. “Clockworks” begins with a tale of a young blacksmith named Ben Locke in the Revolutionary War. Most of his family has been killed for harboring fugitives in the caves below Lovecraft, where a door to a demonic world has been found. Ben Locke works to create a lock and key in order to keep this door shut for forever, but also uses some of

I seem to go through this comic book series in little stints. I’ll read a few, then take a break until I acquire some more, and then take another break. And while a few details always get lost here and there, it always manages to draw me back and I start to remember where I left off almost immediately. It’s different and fun, but also dark and dirty at parts, and the drawing style of Rob Guillory really reflects this dichotomy of moods and feelings constantly present within the Chew series: sometime you wonder why people are rendered with such strange proportions or images will be humorously exaggerated, only to then flip the page and find something grotesque on the other side. And yet it works: both the story itself and the drawing is engaging and unique, though I will say that I know a few people who are not particularly fans of the art style of Guillory. In any case, Space Cakes and Bad Apples picks up some plotlines of the previous Chew installments that were almost startin

Goodness, February was a hectic month. I feel like so much happened in such a short span of time: too much happened, really! Because I never even had a chance to finish any reading until now, just as I head into a school course focusing on grief and loss. Beverly Chappell’s book, Children Helping Children with Grief: My Path to Founding the Dougy Center for Grieving Children and their Families does basically exactly what the title implies. It recount’s stories of Chappell and her husband working with various families and children who are experiencing family losses, and how these experiences influenced the ultimate creation of the Dougy Center for grieving children. It also recounts how some other influential people come to become involved with the center as well. These stories are all told from a personal place, and are often touching to hear. However, being that this was a book that I was required to read for a school course, I was surprised and a little disappointed that ther