#CBR5 Review #08 - The Picture of Dorian Gray by Oscar Wilde
(It's been a while since my last Cannonball 5 review, I know. Schoolwork hath slowed me down immensely, reminding me why I only signed up for a half-cannonball, and not a whole one this year. In any case, here we are at #08!)
As I sat on the bus the other day, thick in the midst of this
novel, I heard a couple of first-year university students nattering behind me claim
that they needed to read The Picture of
Dorian Gray for their compulsory English class. “Oh hey! That’s what I’m
reading too!” I thought gleefully, “They are in for a treat”. But then I heard
it. I heard the disgust in their voices. “Man, that totally sucks. Just watch The League of Extraordinary Gentlemen,
it’s basically the same thing.”
The face I made when I heard this… I only wish you could
have seen it. Because no. No no no. Nothing about that abomination of a film
relates back to this novel in any sense, especially thematically. And while the
themes of the novel may seem simple in this day and age, they are still incredibly
powerful and worth more than even all the not-terrible-but-not-great movies
that have been made about Dorian Gray. Yeah, I saw the recent film adaptation
with Colin Firth and Ben Barnes, so I sort of knew what the whole thing was
about before I got into it. But trust me when I say that that does not take
away from the experience of reading the book in the slightest. Sure, you may
know some of the twists and turns, but it’s the language and ideas that really
sell Oscar Wilde’s work (and the best medium through which that comes across is
definitely in writing). But enough nattering! What’s it all about anyways? That
is, if you aren’t familiar with the mythos of Dorian Gray already.
In The Picture of
Dorian Gray, we find a talented painter, Basil Hallward, producing a
masterpiece of a portrait of his new muse, Dorian Gray. Dorian is described as a
well to-do, absolutely beautiful young man, whose appearance only accentuates
the untainted purity of his youth. Basil Howard’s sly friend, Lord Henry
Wotton, on the other hand, has a bit of mischief on his mind. Henry is full of
so many grandiose ideas about life and the pleasures to be found in it, and
finds those who do not take up experiences to be boring. Well then, why not try
and plant a seed in young Dorian’s pure little mind in order to get him to take
up some novel experiences and make him truly interesting? Dorian Gray is
profoundly influenced by Lord Henry and his many words, and begins to learn of
the fragility of his youth and beauty, leading him into vanity. His vanity is
particularly noticed when Dorian expresses a jealousy that his portrait will
always be younger than he is from this point on, leading him to wish that he
could stay young forever, and his gorgeous painting will be the one to bear his
inevitable diminishment in form.
Well, I suppose this is a serious case of “be careful what
you wish for,” as Dorian finds himself never growing older. But upon learning
more and more from Lord Henry about the ways of the world and the experiences
of all the world’s pleasures, his portrait starts to grow hideous with each nasty
or salacious act that Dorian performs. Scandal begins to follow Dorian wherever
he goes, and he becomes ever more like Lord Henry in his views of the world,
yet with the slightest hint of cruelty and selfishness in everything he does.
While Lord Henry may like to lead young men down an interesting path, he is not
without a heart down deep, and does appear to care for people, regardless of
what he may say to their faces.
All in all, The
Picture of Dorian Gray paints a portrait of vanity, corruption, and the
influence that others may have on our lives and personalities. These may appear
to be simple ideas, but Oscar Wilde is extremely effective in presenting them,
in that many of Dorian’s scandals, unthinkable acts, and “sins” are not
directly laid out for us. In this way, readers can decide for themselves what a
true mar of the soul is, leading the consumption of this work to feel like a
more personal experience. Or, at least, this slight removal of specific explanations
leaves the novel open for more individual connections to be made. How exactly
all this “magic” with the portrait even started to happen is also left a bit
vague: is it simply a case of wish fulfillment, or did Dorian full on sell his
soul to the Devil in order to stay young forever? (I’ve been working my way
through “Supernatural” lately, so my mind is inclined to go with the latter,
but that’s not to say it’s the truth.)
As I mentioned earlier, one of the greatest strengths of
Oscar Wilde’s writing is the beautiful language he employs. There is a smart
flourish at every turn. If there is a problem with the novel, however, it also
comes in the form of Wilde’s use of language; every now and again, after
clipping along at a sensible pace, I found certain passages to just become
bogged down with the stylish flaunting of words. Typically this comes in the
form of Lord Henry going on and on in cryptic little epigrams about the way of
the world, which become excessive at specifically two points in the novel. I
just wanted to say, “Chill out for a second! We get it; you’re really clever
and have all these pompous ideas about everything. Can’t we just get on with it
already?” Once you get past that slight trudging, however, the seemingly
straightforward story is breezy and stunning. At least, that’s how I felt about
it.
Oh, and there is a little matter of characters sitting down:
they are constantly described as “flinging” themselves into couches and chairs.
That’s a bit overdramatic, don’t you think? I don’t know about you, but
whenever I read that I picture a series of soap-opera stars hamming it up on
set. I’m not really sure why, to be honest…
But to wrap this meandering review up, I found The Picture of Dorian Gray to be a very
enjoyable read, regardless of any preconceptions or knowledge I had of the
story beforehand. Oscar Wilde’s style of writing may not be for everyone, but
if you enjoy tales that are shiny and beautiful on the surface, with something
darker lurking underneath, then I would definitely recommend taking this one
in.
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